Sunday, 14 August 2011
In the meantime, life has had to go on. We had a very successful Music Summer School and I now know a lot more about the concerto than I did before. Donna, I hope you're reading this and very glad that you chose to 'crawl out of the woodwork'. I don't know of a book, but there is an excellent set of lectures published by The Teaching Company on the concerto. I can't recommend them too highly. In fact all their music series are superb. They can be a bit pricey, but if you wait until they come round on sale you can often get a real bargain.
What has suffered this week has been the reading for the Literature Summer School. I have managed to read The House on the Strand and do the background work on the historical novel in general (although I still have that to write up) but the other two books remain untouched and I absolutely must get down to them. I did watch a really fascinating interview with Daphne du Maurier made for the BBC in the very early seventies, just after The House on the Strand had been published. Television has definitely changed! She chain smoked throughout. That wouldn't stand a chance of getting on screen these days. What I found most interesting was that the only moment her eyes really sparkled was when she was asked how she felt about being the main breadwinner once her novels started selling. "I loved it," she said. "It gave one the power." Very telling, especially in the light of the particular book we've been reading, which in many respects is about power and the way in which it is abused. If any of you want to see the programme just put Daphne du Maurier BBC interview into google and it should be the first item that comes up.
Have a good week.
Saturday, 6 August 2011
Next week is the first of our Summer Schools and so I shall be spending most of the forthcoming seven days listening to and discussing the development of the piano concerto. I love music but am no musician, so I've had to do a lot of research to be able to organise this one. We're focussing particularly on Beethoven, Schumann and Shostakovich, but of course we have to fill in round the edges as well and so the house has been resounding to the music of Corelli, Vivaldi and Mozart as preparation for Monday's opening session. Not that Corelli and Vivaldi wrote for the piano, but you do need to know where the concerto started to be able to follow the later developments
Once that's underway then I really must get down to the reading for the Literature Summer School, two weeks later. I have read the three books (Du Maurier's The House on the Strand, Emma Darwin's A Secret Alchemy and Rebecca Stott's Ghostwalk) before, but I do need to refresh my memory and organise the line through the discussions. What I'm really interested in is why the historical novel has suddenly become fashionable again and I hope we can explore that as well as the books themselves.
And then, of course, there is the 1485 programme to begin to pull together. A number of people have asked if there is any way that this could be opened up as an internet discussion. I'll have to think how this might be possible and also ask the other people in the group what they think, but the very basic website that I'm slowly building is open to all, so if you're interested you can see what we're planning at
Integrated Studies ~ 1485
I'll try and come visiting this week. I hope you're all well.